I great screencast about where the Internet/Web/Super-Information-Highway is going and where its come from.
Linden Lab, the creator of Second Life, doesn’t think that building a series of separate virtual worlds is a good strategy, director of marketing Catherine Smith says. Business Week
I’ll bet she doesn’t, it would completely destroy Linden Labs thats for sure. Its like having one server for webpages controlled by one company that makes a lot of money off it. The bigger the internet become the better it became. This furthers to strengthen the idea of a 3D web platfrom.
It then occurred to me that you could then use the SecondLife client code for communicating with the server and glue it to the Quake 3 engine and a kick ass SecondLife client. This might even open the way for regular HTTP connections with this new hybrid client.
The music industry is going down. The Label executives are going out kicking and suing but we all know its over. The music production model has changed and there is no room for them anymore.
In Michael Calore blog post on Wired, The Web’s First Rock n’ Roll Success?, Michael touts proof of what everyone has know since Napster started up: File sharing of MP3s is good for the consumer and bad for the old school Record Industry:
“Their story is remarkable because of one fact: grassroots communication channels like MySpace and P2P file trading networks worked better than the major-label hype machine. The Arctic Monkeys became hugely popular because they wrote good songs, made them available to their fans for free, and encouraged them to share the MP3s with their friends.”
The Arctic Monkey, after this sort of promotion realised “the fastest-selling independent debut in UK history”. The article/post goes on to say “The major labels are still scratching their heads wondering why the kids aren’t buying records they way they used to.”, and the answer to that is, I say, is because the stuff the record companies have been pumping out is not art, its manufactured shite.
The old way was Big Label X spends Y million on PR and more than double their money before the teeny boppers figure out that Album Z is shite. Now, the teeny boppers are downloading The One Song promoted form the album and realising the rest is garbage and so before they go out and buy McFad Album (if they still intended to) the next fad hits them and they have forgotten about what they were just listening to.
I noted an article back in 2004 called The New Economics of Music: File-Sharing and Double Moral Hazard in which the same argument is put forward but using economic theory:
Fundamentally, I’m going to argue that consumers download music, as much to derive extra value from getting something for free, as they do because they want insurance against buying something they didn’t want in the first place. File-sharing is as much about risk-sharing as it is about the ‘theft’ of value. Technological changes have made this possible – but the way the business model of the music industry is at odds with the implicit contract it signs with listeners is what makes it probable.
Ultimately it means that the record industry has to start finding real artist rather than manufacturing fads. Good for real music artist, good for us the consumers. Everyone wins except the fat middle men.
Maybe the internet can eliminate all the middle men of the world. I hope Real Estate agents are next.
As the media becomes more restricted by the powers that be independent amateur media might be the way forward for democracy.
I remember I had a long and ugly debate with Bernard and Sara one night over a couple of bottles of wine. I proposed that with the advent of cheap media devices, and internet community sharing sites, we would not have to rely on the commercial main stream media completely anymore for information on current events. As the media becomes more restricted by the powers that be independent amateur media might be the way forward for democracy.
Examples from the recident London bombing:
- The London Bomb Blast Pool
- Wikipedias ‘7 July 2005 London bombings‘ entry was up to the minute
- London Explosions @ Londonist
Update: Seems I’m not the only one thinking this way.
May day musings, have the lefts political means changed with the times or did we miss thge point to begin with?
I’ve long thought that ‘direct action’ is a waste of time in a modern indirect world. Protest are a bit of a throw back to the 1960s where they were first tried in a democracy to a successfully end
- I think they were successful because it was quite a new thing to do in a 1st world country and the system of power wasn’t prepared for it thus there was unlimited media focus.
- It was coupled with a social movement that expressed the angst of a large group of young people (i.e. ‘the baby boomers’), and rode the already existing momentum of social change.
Time has changed dramatically and I don’t think a political decision in the 1st world has been swayed by a protest in decades. What makes me say this is that we had the biggest series of protests around the world in history against the ‘war on terror’.
So maybe it wasn’t the direct action that was important in the 60s but the social movement. People hanging out, sharing love and drugs and generally having a good time. I think the article ‘Your Politics Are Boring As Fuck’ sums it up nicely and offers a more evolved way forward. It realises that people need something back from volunteering, even if its just the basics of pleasant human interaction.
If political activates are fun and sociable (rather than socialist) they will be able to affect more people for longer. After all who doesn’t want to be apart of fun?
Transformers break it on down.
If you were into the Transformers, and I don’t mean the little boxes that converted one voltage to another, I mean like the ‘Maniacle Megatron’ type of Transformer then you gotsta checkout the 3D break dancing Shockwave and his little pal Rumble. Decepticons are bad ass!